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Via Sherwood Smith

  • Nov. 15th, 2009 at 11:21 PM

THE MATRIX if it had been made during the silent film era.

Ah, pies. Sweet wonderful pies.

Mirrored from Twenty Palaces. You can comment here or there.

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Dr. Horrible: A Very Short Review

  • Nov. 16th, 2009 at 6:02 AM

Everybody has seen this, right?

This video originally was sui generis, one of a kind, and an instant hit to boot.  This state of affairs could not of course continue; there is now a comic on line as well, one of a series.

DrH2I have a theory that the first iteration or incarnation of an idea is almost always the best one.  Transplanting it to the comic form usually doesn’t take.   Thus the comic Dr. Horrible is much less witty and amusing than the video; the current Muppet Show comic cannot be as good as the original Muppet Show, and the appeal of the Simpsons cannot translate over to the comic book of the same name.  It works in the other direction as well — Peanuts on TV is not as good as Peanuts in the newspaper.

Successful translation is rare, but not unknown.  Modesty Blaise is at least as good in novel form as in the original comic strips, and then you get real hybrids like this.   From comic book to television cartoon to musical theater, oh my!

How Tweet It Is

  • Nov. 16th, 2009 at 2:04 AM

  • 20:55 wondering if Google Chrome OS will really drop this week...

(not that anyone cares!)
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Psst…Hey, Dobbin…

  • Nov. 16th, 2009 at 5:30 AM

gaudiame04_bvcThe “horse whisperer” thing was very big a few years ago. All the pony people were doing it or learning how to do it, and then there was that movie with Robert Redford being all craggy and sensitive. Then inevitably came the backlash: a big kahuna of the genre turned out to have, er, improved on his autobiography, and his colleagues lost their shiny new luster as other fads came and went. Some are still out there on the clinic and expo circuit, making a substantial living hocking their special method with its special tools and even, in one case, a whole special pen to do it in (just $2895 plus shipping).

Why bother to blog about it, then? Because for a writer, especially a fantasy or historical writer, there’s still a vein of plotting gold in the person who can talk to horses and the horses will listen.All of these “pony boys” and “game players” and “round-pen reasoners” are simply applying old horsemen’s wisdom and common sense, packaged for the modern consumer. Under the hype and the mythologizing and the marketing is a core of basic truth: that a sufficiently observant and attentive human can communicate effectively with a horse.

Some techniques are just nonsense when they’re not active abuse. The genius who “tames” wild Mustangs by trapping them in a box and pouring in a ton or so of wheat kernels may produce a subdued animal, but it’s the quiet of catatonia. The ones who force a horse to lie down and then sit on him are not much better. They’re triggering one of his worst fears, depriving him of his ability to run and then cutting off all possibility of escape. It’s torture, quite simply.

The writer, being a naturally evil being, can use this. Anyone can write standard abuse–whipping the living daylights out of the horse, starving him, working him to death, and so on–but there are other ways to wreak havoc on the livestock, and this is one. So is the “trainer” who ties up the horse’s leg and leaves him for hours “so he’ll learn not to run away,” or straps his nose to his saddle all day “so he’ll learn to bend.”

That’s the dark side. The light side is as wonderful as the dark is distressing, and can, if done well enough, look like magic–like this video. Here is a close bond between horse and man, deep communication and willing partnership on the horse’s side as well as the human’s.

It’s not about whispering, not literally–but there is a softness to it, and a subtlety that can be all but invisible to the uninitiate. Horses themselves are very subtle communicators–most of their interaction is close to subliminal. A human who can turn the volume down to that level is rare, and what he does takes both talent and long training–with the horses as trainers. See here, but allow time for it; it’s over ten minutes long (and if you can go to the show, do; it will inspire you). Here’s beauty, and a genuine symbiosis of human and equine. It’s extraordinary and wonderful and magical, and it’s all real. You don’t even have to make it up.

asue_pookadancesmall

Depression era medical school

  • Nov. 15th, 2009 at 6:46 PM
time: shortly before ww2 place: somewhere in the United States (not quite Real World, but functionally equivalent) search terms: depression era medical school, with and without appropriate quotes

Our Heroine is hired as an army surgeon (possibly technically a contract surgeon, depending on exact year, it hasn't been determined yet) some time in World War 2. (Yes, I know that female surgeons of that era would have been incredibly rare. She's atypical.) What I'm trying to figure out is:

1. How young could she plausibly be, if she started college at 17 and didn't have any delays in her education? (Money is Not an Issue, within reason, her family was very wealthy, and remained reasonably wealthy even during the Depression. Also, she's very smart and studied hard.)

2. How much actual poking around in live humans would she likely have done by that point? I assume (possibly incorrectly) that she would have to be a resident or something equivalent, or at least an intern, before she could go and be a fully fledged surgeon, even for the Army.

Answers, appropriate research sites, or better search terms all appreciated.
(edited for clarity)

2009 Nebula Eligibility

  • Nov. 15th, 2009 at 11:15 PM
I realized today that my short story, "The Sock Thief", is eligible to be nominated for a Nebula award for 2009. Now granted, I am aware that it is a short and somewhat silly story, but I think it's just as eligible for nomination as any other story published in small or major presses. So with that in mind, this is what I have eligible for the 2009 Nebula Awards. Active or Associate members of SFWA may nominate works, and Active members will be able to vote on them.

Short Story
"The Sock Thief", Knitty, September 2009.

YA fiction... dead baby?

  • Nov. 15th, 2009 at 11:14 PM
Solved! It's "The Little Friend" by Donna Tartt. Thanks!

I just saw this book yesterday at the local library's book sale, and I really liked the blurb I read on the back, and for the life of me, I can't figure out what it was called, and why I didn't just buy it.

For most of her life, she's been over-shadowed by her younger brother. When he was a baby, he was found hanging from a tree outside, dead/murdered. The girl tries to solve the mystery with the help of her friend, and uncovers something very huge.

I know it's not a lot to go on, but I didn't actually read the book, so that's all I've got. Thanks in advance!

Writing and Writing and . . .

  • Nov. 15th, 2009 at 10:04 PM
I've written fifteen poems in fifteen days, plus some haiku/senryu. Quite a change for me.

finishing poems
is like drinking from the sea
my thirst never quenched

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"matrix thinking" ya novel

  • Nov. 15th, 2009 at 7:38 PM
Found! "Mind-Call" by Wilanne Schneider Belden

I'm looking for a YA book with a female protagonist. At the beginning, she has a migraine headache, and when she wakes up from the drugs she's been given for it, there has been a big earthquake (?) and everything is flooded. She packs up her family's sailboat and takes off. She finds a young boy in a flooded apartment building, and I want to say she knew he was there through some kind of telepathic link. Eventually they wind up at a complex with a number of other children who have survived the disaster -- I think they have to crawl under a barbed wire fence to get in. I remember one more scene, where the protagonist is talking to a guy at this complex and he gives her a book to read (I want to say it's a quantum physics text?) and she reads something like a hundred pages in ten minutes, and he tells her that she and the other kids there are "matrix thinkers", and that rather than going from point A through B and C, to point D she just skips straight from A to D. This might also be the reason they have psychic powers, or something?

This is all I can remember, and I've been looking for this book for years, it's got to date to the mid-nineties at least. Thanks very much!

scary Stories

  • Nov. 15th, 2009 at 6:52 PM
I read this small children's book of scary stories when i was a kid. i don't remember the name, obviously, and i don't remember specific stories. I do remember that the stories were really twisted and dark, and their were vampires, witches, werewolves, i believe, and zombies. It had a black cover with a frame around the edges of the cover cut into squares of all sizes with pictures of the creatures. I don't remember a lot of humor, but i loved it. I looked it up online and I don't think it's scary stories to tell in the dark by Alvin Schwartz, unless those books had a previous cover. I looked up Very scary stories online and nothing popped up either. Please help, if you need more info i can try to dig some up.

Marking

  • Nov. 16th, 2009 at 12:43 AM
Tonight, after a weekend of prevarication, I marked a batch of essays.

Students are their own worst enemies - increasing numbers are printing out single space and (I'm not sure why this annoys me but it does) on both sides of the paper. Italicising film titles (like I do on the lecture slides) seems to be out, save for where it is also in quotation marks, and those students who also italicise every quotation, date and reference irrespective of the source or its need to be italicised.

Too many of them are simply writing about a film (although at least aren't just summarizing the plot) as if the question I've set is just for the sake of my health. Which clearly it isn't. If the question is on the sublime, cognition, estrangement, define these terms. Maybe even use them occasionally.

Given the library resources (an atrium big enough to house 94 double decker buses) it is hardly surprising that dead tree references are rarer then hen's teeth, but despite precise instructions Kuhn and Redmond tend to be quoted rather than Bukatman or Sontag who wrote that chapter. If any of the students - notice that word there, any - had come to see me, I might have been able to point them towards the secondary literature on Blade Runner, The Matrix, Dark City. Some of it is on JSTOR.

And a special prize to a student whose six quotations were all taken from the lecture, despite all being from sources readily available on line thanks to Google or Gutenberg.

It pays to do your research

  • Nov. 15th, 2009 at 7:47 PM
[info]buffysquirrel has often said that I need to find a way to turn off my scum bag magnet. I think it really goes beyond that.

I was informed today that I'm not a pro author. I'm a self-published wannabe.

I had been wondering why I was being closed out on a messageboard and a chat forum for the past several months. So I inquired and was informed that they do not encourage writers who are self published.

The past several years have seen more and more older pros bringing out their own reprints. People as respected as Storm Constantine bring out their own reprints. Richard Lupoff has brought out his own reprints.

With the fragile state of the once healthy back list, it is often the only way to keep older books in circulation.

I pulled my books from Renaissance Ebooks over a breech of contract, and have been re-issuing them through Daverana Enterprises.

Apparently that makes me a self published wannabe with no professional credits.

When professional credits get old do they expire?

Or should this individual just get themselves a solid course in google-fu?

Treatment for drug overdose

  • Nov. 15th, 2009 at 11:31 PM
Setting: A galaxy far far away, quite a way into the future with human colonists on a distant world.

Searches tried: Looked up various pages on Mescaline and the physical and mental effects and side effects. Cross referenced with a little of own knowledge.

The situation: A character has just taken a dose of a more potent derivative of Mescaline in order to induce a vision quest style thing (there's more to it than that, but I don't see this being relevant to the problem so I'll keep it short). His girlfriend is a qualified Doctor (she's a research medic but can still practise medicine) who administered the drug and is, of course, aware that things are going wrong. My question is: How will she react in order to attempt to save his life?

The technology level of this setting is a little more futuristic than the modern world. They have slightly better medical tech (such as the ability to synthesise drugs) a little more knowledge about drug interactions on the human body and how to manipulate chemical structure to improve effects or reduce side effects (but not eliminate them completely and in some cases not at all due to that reducing the wanted effects) and a little better knowledge of pathology. However, they do not have any fancy 'star trek style' insta-heals or hyposprays or anything like that - I want medicine to be gritty and bloody and still involve things like needles in the arms and breaking the ribcage doing CPR.

Looking at this issue I have found all the symptoms of mescaline use (tachycardia, raised or lowered blood glucose, perspiration and nausea and so on...) but I think I need to get a medic's opinion on what she would do to diagnose and treat all these symptoms. I am assuming the following:

- she is under the impression that his current physical state is life threatening and he will die if she does nothing. This may or may not be the case but her triage tells her it is the case and she has to act now.
- They are in the middle of a forest, miles from anywhere. She could get help summoned quickly but she still has to act to stop him from dying now. Besides, what they are doing is 'slightly illegal' so she would prefer to do it without involving anyone of authority but will do so if it is essential.
- She is prepared for this eventuality, knowing what the drug was and that he intended to take it. This is an experiment he is conducting and she has come along specifically to prevent his stupidity from killing him. So, she can have a doctor's bag with any drugs or equipment in it that she thinks she would need.

So, what would a modern doctor do in this situation? I ask this so I can extrapolate some sci fi treatments to fit the setting.

What would be the most likely of the physical symptoms that are life threatening? Is it the tachycardia? Is it the effects on blood glucose (I notice that the effect changes dependent on dose - raised if low dose, lowered if high - so I am assuming low in this case but does it get as seriously low or high as it can in a Type I Diabetic to the point of risking death?) Or is there another effect I have not mentioned which may be the one that risks death? Bear in mind these symptoms can be greatly exaggerated as the drug is an untested, modified version.

Thanks in advance for any help with anything to do with this situation.

Turning A Flute Into A Galton Whistle

  • Nov. 15th, 2009 at 5:08 PM
Posting for a friend!

(Previous searches: Galton whistles, flute making and many variations thereof.)

The story is set in Europe in the middle ages, so something of the period would be awesome, but the story is flexible enough for a certain amount of handwaving to get the instrument I need.

My story requires a wind instrument that can play music both within and beyond human hearing. Does such an instrument exist? If not, would it be possible to modify or custom build some sort of flute or recorder that could do it? What would be the physical characteristics of the instrument? (I'm guessing longer and thinner than a regular flute.) Would it require special skill to play it? I know that if you blow hard enough into a regular flute or recorder, the sound will go up an octave. Perhaps a "Galton flute" could only be correctly played by somebody with immense lung-power? (This would actually be a major benefit, story-wise.)

Thank you in advance.

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